The Series
IMPOSIBILITADOS
Chapter I — The First Wound
The beginning of La Parábola. Here, the human being stands in a state of spiritual blindness, paralysis, and longing — before the machinery fully reveals itself.
The Origin of La Parábola
One day, my professor told me, “Write a story.”
I wrote a parable. In the next class, when I showed it to him, he said, “Now I want you to paint ten paintings from this parable.”
I created far more than ten.
Over time, that small story became the foundation of my entire body of work. La Parábola continues to grow with each stage of my life — through painting, music, and poetry — carrying within it the memory of silence, exile, spiritual blindness, manipulation, and awakening.
What began as a story has become an unfinished symbolic universe. Its meanings are not explained directly; they are encrypted across the paintings, the poems, and the music.
DESVANECIMIENTO
The Fading of the Soul
Desvanecimiento occupies one of the most silent and painful moments in La Parábola: the instant when the human being, already exposed to the machinery surrounding him, begins to lose contact with his own interior life.
Here, destruction does not happen as a visible blow, but as a slow loss. Sensitivity weakens. Memory becomes fragile. The deep questions — those that could still awaken the man — begin to fade under the weight of obedience, distraction, and induced silence.
This series reveals a form of captivity that is harder to recognize: not an external prison, but the progressive disappearance of inner life. The man still exists, still breathes, still remains standing; but something essential begins to withdraw from him.
Within the journey of La Parábola, Desvanecimiento marks the passage toward a wounded and weakened consciousness, prepared to enter the mist of Brumas. It is not the end of the soul, but its fading: the moment when the human being can barely hear himself anymore.
Excerpt from La Parábola:
“Every word hurts me,
whether I speak it
or only think it.”
This series invites the viewer to recognize an intimate loss that is difficult to name: the condition of one who has not died, but has begun to vanish from within.
CIUDAD MÁQUINA
The Architecture of Captivity
Ciudad Máquina represents the moment when the machinery is no longer only a device, but an entire world. The system has expanded into structures, walls, mechanisms, and spaces where the human spirit learns to move under pressure.
In this chapter of La Parábola, captivity becomes architecture. The human being does not simply face the machine; he begins to inhabit it. Control becomes atmosphere. Obedience becomes routine. The city itself becomes a symbolic body built around the loss of inner freedom.
This series reveals the environment created for the connected man: a place where the machinery surrounds him so completely that he can no longer easily distinguish between the world outside and the mechanism within.
BRUMAS (MIST)
BRUMAS / MIST
The Distortion of Reality
Brumas represents the moment when vision begins to fail. After the human spirit has been weakened by the machinery, reality no longer appears clear; it becomes unstable, fragmented, and covered by a veil.
This mist is not only outside the human being. It enters his perception, his memory, and his understanding of truth. What should be visible becomes uncertain. What should awaken him becomes blurred.
Within the journey of La Parábola, Brumas is the atmosphere of a consciousness that can no longer see its own condition clearly. It is the silence after distortion, the fog that hides the wound, and the threshold before deeper contradiction.
