RETRATO DE ADAN

ACRYLIC/CANVAS

30x50 inch

ABISAY_PUENTES_LINKEDIN
ABISAY_PUENTES_FACEBOOK

Come to my channel in Spotify

EN EL LODO CENAGOSO No.5
MIXED MEDIA/CANVAS/HEADPHONES/MUSIC: EN EL LODO CENAGOSO.
33x27 inch.

EN EL FOSO DE LA DESOLACIÓN No.2
ACRYLIC/CANVAS/HEADPHONES/MUSIC: EN EL FOSO DE LA DESOLACIÓN in Gm

48x24 inch.

ARTWORKS

the artist

ABISAY puentes 

ABISAY_PUENTES_GOOGLE+

EN EL LODO CENAGOSO No.1

ACRYLIC/CANVAS/HEADPHONES/MUSIC: EN EL LODO CENAGOSO

40x29 inch.

LAMENTOS

EN EL LODO CENAGOSO No.4
MIXED MEDIA/CANVAS/HEADPHONES/MUSIC: EN EL LODO CENAGOSO.
24x18 inch.

ABISAY_PUENTES_TWITTER

DONDE ENCUENTRO MIS TORMENTOS

ACRYLIC/CANVAS

51x39 inch.

EN EL FOSO DE LA DESOLACIÓN No.1

ACRYLIC/CANVAS/HEADPHONES/MUSIC: EN EL FOSO DE LA DESOLACIÓN in Gm

60x50 inch.

EN EL LODO CENAGOSO No.3
MIXED MEDIA/CANVAS/HEADPHONES/MUSIC: EN EL LODO CENAGOSO.
48x24 inch.

c  o  n  t  e  m  p  o  r  a  r  y     f  i  n  e     a  r  tist

EN EL LODO CENAGOSO No.2

MIXED MEDIA/CANVAS/HEADPHONES/MUSIC: EN EL LODO CENAGOSO.

48x24 inch.

RETRATO DE EVA

ACRYLIC/CANVAS

40x34 inch

LA PREGUNTA: ¿DONDE ENCUENTRO MI PAZ?

ACRYLIC/CANVAS

51x39 inch.

LA RESPUESTA

ACRYLIC/ CANVAS

48x36 inch

  • Prologo Obertura (La fruta)2:59
  • En el foso de la desolación4:02
  • Lágrima Otoñal2:12
  • Eva 6:40
  • Donde encuentro mis tormentos6:11
  • Lamento No.1 in Cm11:03
  • Lamento36:17
  • Lamento 44:48

...My work does not really talk about the loss of innocence, which is what the Bible talks about. I am not illustrating the Bible. I am working off of this two people, Adam and Eve, to create a story where I will develop an idea, and where I will transmit my thoughts concerning spirituality in our time. Based on this is that I start to build up my work. When I start doing my thing, it does not matter if I work on something for a year, and then I don’t pick up that idea until five years later. I follow a logical order, at least in my head, and in my notes, and I know where I’m going. Generally it all relates to the human being who has his or her stages. The first series that I presented in Syracuse was titled Lamentaciones de Abisay, and from there to Imposibilitados, which really came to be the prologue or the introduction Lamentaciones. This means that if we are going to talk about the order of the construction of the narrative, my imposibilitado (unable) found Adam in the middle of his sorrow and the unable asked him “Why does man suffer so much? Why is there so much suffering in the world? Why does pain exist?” And Adam’s response is this work, which is obviously still not finished. This is but a sketch, three advances of what I want to do. At the end, what I hope to see is one big mural...


FULL TEXT, CLICK: HERE